One of the most iconic movie maestros of all time, John Willaims’s career expands to TV and movies, where he has been responsible for some of the greatest themes to hit the big screen. John Williams’s music is iconic and instantly recognizable, and his best work has expanded across multiple genres and also provides audiences with boundless imagination and an instant classic.
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While John Williams has been responsible for some incredible themes over the years, it’s his work on entire soundtracks to support the best movie scores that really make him a triumphant composer, whose music helps to provide films with the sounds of cinema itself.
Joyous Sounds for a Kid and His Alien
E.T. the Extra-Terrestrial
- Release Date
-
June 11, 1982
- Runtime
-
1h 55m
- Studio(s)
-
Universal Pictures
- Writers
-
Melissa Mathison
Track List |
Main Titles |
Far From Home / E.T. Alone |
Bait For E.T. |
Meeting E.T. |
E.T’s New Home |
The Beginning Of A Friendship |
Toys |
I’m Keeping Him |
E.T’s Powers |
E.T. And Elliott Get Drunk |
Frogs |
At Home |
The Magic Of Halloween |
Sending The Signal |
Searching For E.T. |
Invading Elliott’s House |
E.T. Is Dying |
Losing E.T. |
E.T. Is Alive! |
Escape / Chase / Saying Goodbye |
End Credits |
E.T. The Extra-Terrestrial’s music hasn’t had as many conversations as other pieces from John Williams, but it’s equally as deserving. It’s yet another collaboration between the legendary duo of John Willaims and Steven Spielberg, and the composition provided brings forth an adventure for children to crave along with a friend alien of their own.
E.T. the Extra-Terrestrial might be a more subtle touch of music than compared to other sci-fi swells of John Williams’ talent, but there is still magic and beauty in its brass instruments that swell within themes like Far From Home. The music almost sounds like the fair of a church organ to build on the friendship of a boy and his alien.
7
Schindler’s List
Raw Emotion to Distill Grief Like No Other
Schindler’s List
- Release Date
-
December 15, 1993
- Runtime
-
195 Minutes
- Writers
-
Thomas Keneally
, Steven Zaillian - Studio(s)
-
Amblin Entertainment
Track List |
Theme From Schindler’s List |
Jewish Town (Krakow Ghetto, Winter ’41) |
Immolation (With Our Lives, We Give Life) |
Remembrances |
Schindler’s Workforce |
Oyf’n Pripestshock / Nacht Aktion |
I Could Have Done More |
Auschwitz-Birkenau |
Stolen Memories |
Making The List |
Give Me Your Names |
Yerushalaim Shel Zahav (Jerusalem of Gold) |
Remembrances |
Theme From Schindler’s List (Reprise) |
Schindler’s List is an essential movie for anyone’s watchlist to put a light on the horrors of World War 2, and John Williams, along with Itzhak Perlman, respects the story of the movie and provides it with the sounds of tragedy. Schindler’s List is heartbreaking, and John Williams’ score provides heartbreak with a theme of its own in part to the violin solos that bolster silent percussions.
Schindler’s List allows for its music to breathe, and at times, it can almost be overwhelming with how the violins will swell as if to cry out in song for the tragedy that befalls a movie such as this from Spielberg and Williams.
6
Raiders of the Lost Ark
An Exciting Indiana Jones Adventure to Immortalise a Pulp Archeologist
Raiders of the Lost Ark
- Release Date
-
June 12, 1981
- Runtime
-
115 Minutes
- Studio(s)
-
Lucasfilm
- Writers
-
Lawrence Kasdan
Track List |
In the Jungle |
The Idol Temple |
Escape from the Temple |
Flight from Peru |
Washington Men / Indy’s Home |
A Thought for Marion / To Nepal |
The Medallion |
Flight to Cairo |
The Basket Game |
Bad Dates |
The Map Room: Dawn |
Reunion in the Tent / Searching for the Well |
The Well of the Souls |
Indy Rides the Statue |
The Fist Fight / The Flying Wing |
Desert Chase |
Marion’s Theme / The Crate |
The German Sub |
Ride to the Nazi Hideout |
Indy Follows the Ark |
The Miracle of the Ark |
Washington Ending / Raiders March |
The music that will follow Harrison Ford with every step comes from John Williams, which provided an archaeologist adventurer with a main theme of a lifetime which combines brass and percussion to immense fanfare. The Raiders March is one of the most recognizable themes in movie history, and with a fedora, leather jacket, and whip, the theme will make anyone crave adventure in exotic places.
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John Williams’ Raiders of the Lost Ark score bolstered the epic collaborative duo of John Williams and Steven Spielberg once more, and the elements for this movie’s themes work beautifully, like the poetic romance of Marion’s Theme that provides a personal flute that blossoms with harps and further percussion.
5
Harry Potter and the Sorcerer’s Stone
Providing Audio Magic to Visual Magic
Harry Potter and the Philosopher’s Stone
- Release Date
-
November 16, 2001
- Director
-
Chris Columbus
- Runtime
-
152 minutes
- Writers
-
Steve Kloves
Track List |
Prologue |
Harry’s Wondrous World – Extended Version |
The Arrival of Baby Harry |
Visit to the Zoo and Letters from Hogwarts |
Diagon Alley and the Gringotts Vault |
Platform Nine-and-Three-Quarters and the Journey to Hogwarts |
Entry into the Great Hall and the Banquet |
Mr. Longbottom Flies |
Hogwarts Forever! and the Moving Stairs |
The Norwegian Ridgeback and a Change of Season |
The Quidditch Match |
Christmas at Hogwarts |
The Invisibility Cloak and the Library Scene |
Fluffy’s Harp |
In the Devil’s Snare and the Flying Keys |
The Chess Game |
The Face of Voldemort |
Leaving Hogwarts |
Hedwig’s Theme |
The iconic chimes from the celesta that bring audiences into the magic of Hogwarts come from the genius of John Williams, who provided fans of the series with sound that has become as iconic as the visuals and the magic from J.K. Rowling. John Williams’ work on Harry Potter has followed every subsequent movie, and for good reason, as it combines magical elements of music for a sound like no other.
Building from the dazzling chimes, Harry Potter and the Sorcerer’s Stone amazes with bustling percussion instruments, with a mixture of trumpets, flutes, and violins, with sounds that truly elevate the movie and float audiences into the true magic of Hogwarts itself.
4
Jurassic Park
A Believable Sound for Pre-Historic Wonders
Jurassic Park
- Release Date
-
June 11, 1993
- Runtime
-
127 minutes
- Writers
-
Michael Crichton
, David Koepp - Production Company
-
Universal Pictures, Amblin Entertainment
Track List |
Opening Titles |
Theme From Jurassic Park |
Incident At Isla Nublar |
Journey To The Island |
The Raptor Attack |
Hatching Baby Raptor |
Welcome To Jurassic Park |
My Friend, The Brachiosaurus |
Dennis Steals The Embryo |
A Tree For My Bed |
High-Wire Stunts |
Remembering Petticoat Lane |
Jurassic Park Gate |
Eye To Eye |
T-Rex Rescue & Finale |
End Credits |
Welcome to Jurassic Park, a movie that most have fond or terrifying memories of. No matter what the opinion of the movie is for nostalgia, everyone knows the iconic theme from Jurassic Park that slowly swells into a triumph of wonder for creatures that have been extinct for millions of years.
While Jurassic Park’s visuals and main theme have immense excitement and wonder to their design, the soundtrack isn’t afraid to embrace the more horrific aspect of these pre-historic predators with tracks like The Raptor Attack, which provides an ominous hum among quick bursts of trombones for suspenseful drama. Jurassic Park is a brilliant blend of wonder and terror.
3
Superman: The Movie
The Greatest Superhero Receives the Greatest Theme
Superman
- Release Date
-
December 15, 1978
- Director
-
Richard Donner
- Runtime
-
143 Minutes
- Studio(s)
-
Warner Bros. Pictures
Track List |
Prelude and Main Title March |
The Planet Krypton |
Destruction of Krypton |
Star Ship Escapes |
The Trip to Earth |
Growing Up |
Death of Jonathan Kent |
Leaving Home |
The Fortress of Solitude |
Welcome to Metropolis |
Lex Luthor’s Lair |
The Big Rescue |
Super Crime Fighter |
Super Rescues |
Luthor’s Luau |
The March of the Villains |
The Terrace |
The Flying Sequence |
Lois and Clark |
Crime of the Century |
Sonic Greeting |
Misguided Missiles and Kryptonite |
Chasing Rockets |
Superfeats |
Super Dam and Finding Lois |
Turning Back the World |
Finale and End Title March |
Love Theme from Superman |
Can You Read My Mind |
Superman: The Movie is heartfelt and beautiful, and if that doesn’t come out of Christopher Reeve’s incredible performance as Superman, it certainly comes out with John Williams’ composition. John Williams’ excellent marches, dedication to brass, and tender waves make for a beautiful set of themes for a superhero in love with both the world and Lois Lane.
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A superhero needs an iconic theme just as much as they need a memorable outfit, and these songs certainly do their heroes justice.
The beauty of lengthy themes like The Flying Sequence showcases a believable romance in the skies, whereas Turning Back the World harbors incredible grief and anger for a man who can turn back time. Yet, where Superman: The Movie really shines is in the Prelude and Main Title March, which brings forth a sound that is as synonymous to Superman as the blue and red costume itself, so much so that it returns for James Gunn’s Superman movie on July 11, 2025.
2
Star Wars: Revenge of the Sith
Anakin’s Fall is Tragically Told Through Williams’ Immense Choir
Star Wars: Episode III – Revenge of the Sith
- Release Date
-
May 19, 2005
- Director
-
George Lucas
- Runtime
-
140 Minutes
- Studio(s)
-
Lucasfilm
- Writers
-
George Lucas
, John Ostrander
, Jan Duursema
Track List |
Star Wars and the Revenge of the Sith |
Anakin’s Dream |
Battle of the Heroes |
Anakin’s Betrayal |
General Grievous |
Palpatine’s Teachings |
Grievous and the Droids |
Padme’s Ruminations |
Anakin vs. Obi-Wan |
Anakin’s Dark Deeds |
Enter Lord Vader |
The Immolation Scene |
Grievous Speaks to Lord Sidious |
The Birth of the Twins and Padme’s Destiny |
A New Hope and End Credits |
John Williams went above and beyond for the Star Wars Prequel Trilogy, in which his work is often discussed, if not more so, than the movies themselves. While John Williams provided some of the greatest orchestral music of all time with Duel of the Fates, the better soundtrack of the Prequel Trilogy belongs to Revenge of the Sith, which features far more bolster for emotional swells in Anakin’s tragedy.
The emotional involvement in Anakin’s Dark Deeds from the loud and aggressive choir to the almost tear-jerking brass instruments just furthers how this fall of a hero becomes all the more iconic and tragic. Paired with Battle of the Heroes and Anakin vs. Obi-Wan, audiences are in for a thrill ride of sound, just as much as they are with the choreography of the fight itself.
1
Star Wars: The Empire Strikes Back
The Defining Sounds of Star Wars and a Villain Theme for the Ages
Star Wars: Episode V – The Empire Strikes Back
- Release Date
-
June 18, 1980
- Director
-
Irvin Kershner
- Runtime
-
124 minutes
- Studio(s)
-
Lucasfilm
- Writers
-
Leigh Brackett
, Lawrence Kasdan
, George Lucas
Track List |
Star Wars (Main Theme) |
Yoda’s Theme |
The Training of a Jedi Knight |
The Heroics of Luke and Han |
The Imperial March (Darth Vader’s Theme) |
Departure of Boba Fett |
Han Solo and the Princess |
Hyperspace |
The Battle in the Snow |
The Asteroid Field |
The City in the Clouds |
Rebels at Bay |
Yoda and the Force |
The Duel |
The Magic Tree |
Lando’s Palace |
Finale |
John Williams’ Star Wars is the undisputed king of movie scores, and it’s hard to find anyone who wouldn’t recognize the iconic Main Theme of Star Wars. Yet, a revised look at the series for its sequel, Star Wars: The Empire Strikes Back, saw even greater themes with the likes of The Imperial March, which provided Darth Vader with his iconic and menacing theme that would follow him with every step and breath.
Not only does The Empire Strikes Back impress with its menace, but it also impresses with its blistering love. Yoda and the Force are truly captivating and magical, whereas themes like Han Solo and the Princess blossom through a daring love story of tenderness and innocence within the war.
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