John Carpenter’s Forgotten They Live Is More Scarily Relevant Than Ever

John Carpenter’s Forgotten They Live Is More Scarily Relevant Than Ever

Summary

  • They Live challenges consumerism & media control, feeling eerily relevant today with its hidden messages on societal influence.
  • Based on a short story & comic adaptation, Carpenter’s They Live expands on awakening to a secret alien conspiracy with iconic sunglasses.
  • The film’s 6-minute alley fight scene is timeless, ranking as one of the greatest fight scenes ever put to film.

They Live may not be John Carpenter’s greatest sci-fi horror work, but with each passing day, it feels like his most important. The 1988 film has aged exceptionally well, to the point where it seems less like fiction and more like prophecy.

Given Carpenter’s legendary status as a genuine master of science fiction, horror, and action, choosing just one film to define him is difficult. The Thing and Halloween usually take precedence among fans, and for good reason. However, even his “deep cuts” like They Live and Prince of Darkness remain essential viewing for movie lovers, whether casual or serious.

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What Is John Carpenter’s They Live About?

Sunglasses, Alien Conspiracy & Media Control

they live alien

They Live is a textbook example of how sci-fi and horror can tackle social and political issues without feeling preachy. The film challenges the status quo and the commercialist propaganda of its era – elements that still creep into people’s lives today through advertising and social media. John Carpenter takes a simple idea of discovering a secret alien conspiracy and turns it into a sharp critique of consumerism and media control. But even without the message, They Live is a slick ’80s action movie, complete with sunglasses, bubblegum, and epic fights.

The movie follows a drifter named Nada (played by the late actor-wrestler Roddy Piper) who discovers a hidden truth about the world using a special pair of sunglasses. The glasses reveal that aliens, disguised as the rich and powerful, secretly control society. They manipulate humans through subliminal messages in advertising and the media. Nada teams up with a resistance group to expose the aliens and free humanity from their influence. Along the way, he faces police, brainwashed citizens, and a former friend who doubts his cause.

The hidden messages in They Live make it feel disturbingly relevant today. From the cryptic phrase, “They live, we sleep”, which becomes the core warning of the film, to the hidden commands behind advertisements, the film exposes media influence on modern society. Billboards and signs read directives like “obey,” “consume,” and “do not question authority,” while even dollar bills reveal: “This is your God.” This makes They Live deeply unsettling to watch, as it suggests we’re being controlled and exploited without even noticing.

What Story Is They Live Based On?

How John Carpenter Tweaked The Source Material

Image of John Carpenter in front of black and white stills of They Live and The Thing.

They Live is based on Ray Nelson’s short story Eight O’Clock in the Morning, first published in the November 1963 issue of The Magazine of Fantasy & Science Fiction. The 1,800-word story follows the same character, George Nada, a man who suddenly awakens to the horrifying truth that grotesque, reptilian aliens secretly control humanity. In 1986, artist Bill Ray adapted the story into a seven-page comic called Nada, published in Alien Encounters. While it was a fairly straightforward retelling, John Carpenter expanded the same material into a cult classic.

In both the short story and comic, Nada “wakes up” to the truth. In the original, he attends a hypnotist’s show, where the hypnotist’s command makes him fully awaken and reveals the aliens hiding among humans. The comic skips this and jumps straight to Nada seeing the subliminal messages everywhere. Carpenter’s film takes a different approach. His Nada is a drifter with no past, arriving in a city looking for work. Instead of waking up instantly, he slowly realizes the world is broken, long before he finds the infamous sunglasses that expose the aliens’ control.

The Most Iconic Scene From They Live

The 6-Minute-Long Fight Is Still Timeless

Among They Live‘s many memorable moments, one scene stands out as truly iconic: the five-and-a-half-minute alley fight between Roddy Piper’s Nada and Keith David’s Frank Armitage. In the movie, Nada tries to force Frank to wear the sunglasses and see the truth, but Frank resists, afraid of what he’ll find. Nada won’t take no for an answer, leading to a ridiculously long fistfight that ends with Frank finally seeing reality, and realizing his life will never be the same.

Rotten Tomatoes ranked it seventh on their list of “The 20 Greatest Fight Scenes Ever.” John Carpenter said the fight took three weeks to rehearse, calling it “brutal and funny,” similar to the brawl between John Wayne and Victor McLaglen in The Quiet Man. The scene became so iconic that it was even recreated in Saints Row IV, with both Roddy Piper and Keith David voicing fictional versions of themselves.

They Live’s Release, Cult Status & Sequel

They Live roddy piper

With a $3 million budget and a $13.4 million box office gross, the film wasn’t a flop, though critics were initially unimpressed. Over time, however, it has become a cult classic. A sequel has never been ruled out, and at one point, a remake directed by Matt Reeves (The Batman) was confirmed to be in development. Though Reeves ultimately moved on, interest in revisiting the film remains. In October 2023, They Live’s producer Sandy King, who is also John Carpenter’s wife, spoke to ComicBook.com about the possibility of a sequel or remake.

That’s a little like watching CNN now, isn’t it? I think that if you stay tuned, you might actually see something before too long… There might be.

John Carpenter’s They Live is a campy yet smart classic that feels scarily relevant in today’s era of digital addiction. The film is available to rent on Apple TV and Amazon Prime Video.


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They Live


Release Date

November 4, 1988

Runtime

94 minutes

Director

John Carpenter





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