‘Those…Can Be a Real Nightmare’ James Gunn Opens Up on DC Studios’ Approach To Post-Credits

DC Studios’ co-head and Superman showrunner James Gunn has weighed in on the importance of post-credits scenes, shedding light on how DC Studios handles them and what fans can expect from their approach moving forward.

Superman’s James Gunn has weighed in on the role of post-credits scenes and how DC Studio approaches them. Instead of using them to tease future connections, DC aims to weave key plot points directly into the films. Gunn believes this method grants writers greater creative freedom and prevents them from locking into storylines too soon. This change signals a more organic storytelling style, allowing each movie to stand on its own while building a larger universe without being tied to pre-set plans that might limit future storytelling possibilities.

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At a recent press event (via ComicBook.com), DC Studios heads James Gunn, and Peter Safran addressed how post-credit scenes fit into their overarching cinematic universe. Safran explained that while they have a clear roadmap for the larger narrative, Gunn ensures key story elements are strategically placed. Beyond that, filmmakers have plenty of creative freedom. Gunn echoed this sentiment, noting that avoiding unresolved cliffhangers makes it easier for writers to craft their stories without constraints. Reflecting on his past experiences, Gunn admitted that post-credits scenes can sometimes backfire. “They can be a real nightmare,” he said. Gunn recalled grappling with Adam Warlock’s inclusion in Guardians of the Galaxy Vol. 3, saying he initially felt pressured to include the character despite not being certain of his role. “I like the character, but cramming him in made the film feel less elegant in some ways,” he admitted. Though he ultimately liked how Warlock turned out, Gunn acknowledged that forcing elements into a story can make a film feel less polished. Now, he’s more cautious about making promises that might not pan out.

James Gunn has been upfront about his stance on post-credits scenes in DCU projects like Peacemaker, emphasizing that they won’t be a major focus and certainly won’t be crucial to the plot. While filming Superman last year, he explained that he wants each film to stand independently rather than serve as a mere teaser for future installments. As for Superman, he predicted that only maybe “two small moments” would hint at what was next. Gunn doesn’t believe in forcing post-credits scenes just to set up another movie, bluntly stating, “If it doesn’t serve the story, forget it.” However, he acknowledged that these moments are worthwhile when they naturally align with existing media or contribute to the film’s narrative. He stressed that TV has more flexibility for such setups, but in movies, every scene must serve the story first. His approach ensures DCU films remain compelling without feeling like stepping stones to the next big thing.

James Gunn’s approach to post-credits scenes and movie connections will be fascinating to watch once the DCU expands beyond his direct control. As the mastermind behind Creature Commandos and the writer-director of Superman, premiering this summer, Gunn’s fingerprints are all over the franchise. He’s also steering Peacemaker’s return, but his direct influence begins to wane after that. The first major project without his deep involvement is Supergirl: Woman of Tomorrow, arriving in June 2026, with Craig Gillespie directing and Ana Nogueira writing. From that point, the DCU will embrace a broader creative spectrum, allowing new filmmakers to shape its future. How they handle that newfound latitude remains to be seen, making the next phase an exciting one.

The DCU kicks off its big-screen run with Superman on July 11, 2025. Meanwhile, Peacemaker Season 2 blasts onto Max this August, where fans can stream the first season and Creature Commandos.

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Source: ComicBook.com