The Penguin Season 2 Not Being Greenlit Is Very Strange

In the ever-changing landscape of superhero media, where new projects are greenlit before scripts are even finished, the silence surrounding The Penguin Season 2 is baffling. Starring Colin Farrell in a Golden Globe-winning role as the Gotham crime lord Oz Cobb, The Penguin was a breakout hit, both critically and commercially. Fans eagerly tuned in, critics lauded the storytelling and performances, and the series brought an intriguing, gritty perspective to the DC Expander Universe. Yet, despite its acclaim and obvious potential for more stories, the absence of an official renewal raises eyebrows.

This hesitation feels particularly strange given the current state of the DCU. With James Gunn and Peter Safran at the helm of DC Studios, a new and cohesive vision for the franchise is being crafted. However, sidelining a proven winner like The Penguin while the studio’s overarching plan takes shape is a questionable decision. The show’s future is uncertain, and fans are left wondering: what’s the holdup?

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What’s The DC Studios Holdup With The Penguin?

At first glance, the lack of a Season 2 announcement for The Penguin doesn’t add up. The series was a hit, driven by Colin Farrell’s magnetic performance and a unique tone that sets it apart from other superhero fare. Ratings were strong, fan enthusiasm was palpable, and the show’s creators have openly expressed their desire to continue the story. In an industry where even middling successes often secure follow-ups, the silence here is perplexing.

The likely answer lies in the larger reorganization of the DCU. James Gunn and Peter Safran have committed to building a unified cinematic universe, with a mix of blockbuster films and interconnected TV series. While this ambitious vision has excited many fans, it has also introduced complications. Older projects, even successful ones, are under scrutiny to ensure they align with the new direction. Considering thatThe Penguin doesn’t fit neatly into Gunn and Safran’s DCU it’s possible they have a bigger problem than they are letting on with having a show like this one’s running alongside it. If that’s the case, it’s a shortsighted move that risks alienating a loyal audience.

Another possibility is that Warner Bros. Discovery, still grappling with financial challenges, is playing it safe with its investments. While The Penguin was successful, the studio might be hesitant to commit resources until its broader strategy solidifies. This cautious approach might make sense from a business perspective, but it overlooks the value of momentum—a key ingredient in keeping fans engaged and excited.

The Penguin Season 2 Should Already Be Greenlit

Few shows arrive with the kind of buzz and critical acclaim that The Penguin generated. Colin Farrell’s transformative portrayal of Oswald Cobblepot brought depth to a character often relegated to caricature, and the series’ focus on the gritty underbelly of Gotham City offered a refreshing break from traditional superhero narratives. These elements not only made the show a hit but also positioned it as a series that can keep being a cashcow for DC studios even if it’s not part of the DCU.

Season 2 feels like a no-brainer. The first season laid the groundwork for compelling new arcs, and there’s plenty of narrative territory left to explore. Cobblepot’s rise to power, the shifting dynamics of Gotham’s criminal underworld, and the inevitable clashes with vigilantes and rivals all offer rich storytelling potential. Beyond that, The Penguin has proven it can stand on its own even if they decide to no longer tie it directly to Matt Reeves’ other The Batman movies.

Moreover, officially greenlighting Season 2 of The Penguin would send a positive message to fans and creators alike: that success will be rewarded and that DC Studios is willing to nurture projects that resonate. Delaying or shelving a hit show like The Penguin undermines this trust and creates uncertainty around future projects. The franchise’s past missteps often stemmed from a lack of cohesive planning and follow-through, and failing to capitalize on The Penguin’s success risks repeating history.

The DCU Can Survive Alongside The Penguin

Some might argue that the focus on a unified DCU leaves little room for standalone projects, but this mindset underestimates the franchise’s potential for diversity. That Matt Reeves is moving forward with The Batman 2 is evidence enough of this. That there is expected to be a third installment is more.

Similarly, The Penguin doesn’t need to be tightly tethered to the DCU’s larger narrative to thrive. In fact, its strength lies in its ability to carve out its own identity. Gotham City has always been a rich setting for standalone stories, and The Penguin taps into this tradition, offering a grounded, character-driven take that complements the larger superhero spectacle. The show’s success proves that audiences are willing to embrace a variety of tones and formats within the DC franchise.

Moreover, the DCU can only benefit from the goodwill generated by The Penguin. A thriving series bolsters the brand’s reputation and provides a creative counterbalance to the more traditional superhero fare. By allowing The Penguin to coexist alongside the DCU’s broader ambitions, DC Studios can showcase the full spectrum of what its universe has to offer.

In an era where content is king and fan loyalty is hard-won, The Penguin has already established itself as a crown jewel in DC’s lineup. The decision to delay or withhold its renewal is not just strange—it’s a missed opportunity. With a proven track record, a passionate fanbase, and a creative team eager to continue, The Penguin Season 2 should be a foregone conclusion. The ball is in James Gunn’s court, and fans are watching closely to see if they’ll make the right move.

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Created by Lauren LeFranc and starring Colin Farrell, The Penguin builds on 2022’s The Batman. The Max series chronicles the eponymous villain’s attempt to reach Gotham’s criminal peak, rising through the underworld in the middle of a power struggle.

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